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The Justina M. Barnicke Gallery presents Traffic: Conceptualism in Canada November 26-27 FRIDAY & SATURDAY 9am-5pm Hart House Hart House website MAP ~~~~~~~~~~ Registration $100 (+$13 HST) Institution $50 (+$6.50 HST) General Public Free student tickets are now no longer available. There are a limited number of free spots available to individuals who wish to attend but are unable to pay the registration fee. Please contact conceptual.art@utoronto.ca for more information. ~~~~~~~~~~ The Justina M. Barnicke Gallery at the University of Toronto is proud to present a major international academic conference dedicated to the history and contemporary legacy of Conceptualism in Canada. The conference is held in conjunction with the exhibition Traffic: Conceptual Art in Canada 1965 – 1980 which is on view at the University of Toronto Galleries until November 28. Conference Programme Friday, November 26 Conceptualism, Transnationalism and Diaspora 9–11am Sidney Smith Hall, Room 2102 David Tomas – On the Geopolitical/Geocultural Singularity of a ‘Minor’ Canadian Conceptual Art Artifact: 45o 30’ N – 73o 36’ W + Inventory Heather Diack – Mapping Conceptualism: The Centre Does Not Hold Dot Tuer – Local Circuitries/Transnational Transmission: Counterpoints Towards Trafficking in Conceptualism Respondent: Louis Kaplan Place and Space in the Global Village (I) 11:15am–1:15pm University of Toronto Art Centre art lounge Gabrielle Moser – Non-site to Non-place: Challenging Myths of Placelessness in Vancouver Photo Conceptualism Kenneth R. Allan – N.E. Thing Co. Ltd., Marshall McLuhan, and the Counter-Environment Johanne Sloan – Urban Attitudes in Montreal, c. 1968-1972 Vincent Bonin – Translating the Canon: Conceptual Art in Montreal and the Provincialism Problem Respondent: Sharla Sava Conceptualism: Centres, Networks, Exchanges (I) 11:15am–1:15pm Bissell Building, Room 205 Felicity Tayler – Constellation and Correspondences: Networking between Artists, 1970-1980 Earl Miller – Information Remote: On Communication Art in Canada, 1970-1980 Bruce Barber – Kiwi/Canuck Conceptualism: Conceptual Art Correspondences between Canada and New Zealand, 1970 - 1975 Virginia Solomon – Centrality Dematerialized: Mail Art, the Eternal Network, and Canadada in the Early 70s Respondent: Luis Jacob Focus Sessions – Business (Not) As Usual… (I) 2:30–3:30pm Session A – Conceptual Pedagogy University of Toronto Art Centre art lounge Robin Simpson – Let the Buyer Beware: Rochdale College's Counterpublics and Printed Satire Sunny Kerr – Failure Studies at Rochdale College Charles Stankievech – Over the Wire: A Conceptual Pedagogy Respondent: Jayne Wark Session B – Michael Snow Bissell Building, Room 205 Martha Langford – Dis-inFORMation, Michael Snow’s Ideas about Idea Art Elizabeth Legge – Superfaciality: authority, candour, and artists photographing in the mirror Respondent: Dan Adler Conceptualism: Centres, Networks, Exchanges (II) 3:45–5:45pm Bissell Building, Room 205 Simon Brown – Conceptual Practices in Charlotte County, New Brunswick, 1969 to the Present Day: Overview of a Para-marginal Millieu Paul Woodrow – History is Written Backwards by People Who Weren’t There Andrew Kear – Gordon Lebredt, in the Town that Conceptual Art Forgot Kathleen McLean – Lines and Other Ephemeral Markings: Bill Vazan’s Early Conceptual Works Reiko Tomii – A Networking Guru: Matsuzawa Yutaka and Japanese Conceptualism Respondent: Andy Patton Keynote Lecture 6:30-8:00pm Hart House Great Hall Blake Stimson – The Interior of Art Introduction by Barbara Fischer Reception 8–10pm Saturday, November 27, 2010 Place and Space in the Global Village (II) 9–11am Hart House South Dining Room Mark Cheetham – Putting Concepts in their Place: GI and the Nation Question Anne Whitelaw – The Legacy of Absence: Conceptual Art in Edmonton Leah Modigliani – Seek and Ye Shall Find: Sexual Politics in Vancouver’s Defeatured Landscape Craig Leonard – Invisibility and Disappearance Respondent: Louis Kaplan Conceptual Art is Dead. Long Live Conceptualism (I) 9–11am Bissell Building, Room 205 Dan Adler – Labouring the Point: 'Conceptual' Notes on the Reviewing of Recent Art in Toronto Christof Migone – I Think, Therefore I Follow: The Sequitur Principle in Contemporary Conceptual Practices Sharla Sava – Christos Dikeakos’ Olympic Village Landscapes Respondent: Sara Robayo Sheridan Focus Sessions – Business (Not) As Usual… (II) 11:15am–12:15pm Session C – N.E. Thing Co. Ltd. Hart House South Dining Room Adam Lauder – The Executive Fiction of Iain Baxter & Jamie Hilder – The Artrepreneurial Spirit: The N.E. Thing Co., as a Going Concern Respondent: William Wood Session D – NSCAD Bissell Building, Room 205 Gordon Lebredt – Setting Things Straight: Comic Relief and Critical Circumstances in the Work of Garry Neill Kennedy Jayne Wark – Printmaking as Performative and Conceptual Medium Respondent: Grant Arnold Keynote Lecture 1:30–3pm Hart House Great Hall Terry Smith – One and Three Ideas: Conceptualism Before, During and After Conceptual Art Introduction by Adam Welch Conceptual Art is Dead. Long Live Conceptualism (II) 3:15–5:15pm Sidney Smith Hall, Room 2102 William Wood – Trafficking in Conceptualism Hans Maria de Wolf – Where Has it Gone, that Common Ground? Jeff Wall Versus Conceptual Art Theory Fiona Macdonald – Protocol as Difference: Inter-generational Relations of Conceptual Art Clive Robertson – The Vocational and Professional Politics of Conceptualism Respondent: Ian Carr-Harris 7–7:30pm Performance: Ian Murray Top Songs 7:30–9pm Screening: Instructional Tapes (Curated by Maiko Tanaka) Funkaesthetics Book Launch Bruce Barber: Works 1970 - 2008 Party! The Justina M. Barnicke Gallery website Image Credit: N.E. Thing Co., Simulated Photo of the Moon's "Sea of Tranquility" Filled with Water and N.E. Thing Co.'s Sign Placed Beside It, 1969. Collection of the Vancouver Art Gallery, Vancouver Art Gallery Acquisition Fund. . |
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